For the last 10 days we’ve been in Minsk, Belarus. Being here reminds me of how Poland was early in the ’90s, when the plastic, colourful world of empty satisfaction from buying stuff you don’t need hadn’t yet replaced the grim, grey world of pissed-off, grumpy people drowning in mud, being so frustrated with lack of opportunities. For most of the time, the weather here has been more grey than you can imagine, with low hanging clouds, freezing drizzle, dense fog… in such weather, you have to keep the lights on inside your house even though the daylight still lasts 10 hours. People here don’t have perspectives either. They need to work very hard for really little money and grim, concrete-paneled communist blocks are still being built and partly covered with pale pink or green paint. If you ask someone a question and don’t articulate your words clearly enough, the reaction more often than not, will be What?! And, stuck deep in this kind of environment, which only lurks, waiting to bring up the worst moods from the gloomiest parts of your psyche, we discovered some amazing art. But first, look at a couple of pictures to get the atmosphere.
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Minsk. “How is Belarus different from Australia?” they asked me at the weekly couchsurfing meet up. There were 40 or so people at the event. 5 were foreigners. I feel like a celebrity. They want me to tell them about the rest of the world. What is it like out there? They want to know about my work history. My salary. Our retirement age. My opinion on the refugee crisis. “How is Belarus different from Australia?” Can I think of one way in which they are the same?