The sun is getting lower in the sky. We’re standing on the roadside in a dry, treeless landscape, a wide valley bordered by rugged, rocky mountains. It looks like the snippets of footage from Afghanistan that I’ve seen on the news. The earth-brick houses are squares with flat roofs. The road signs are in Arabic. But this isn’t the middle east. We’re in almost the most north-western corner of China, a region predominantly inhabited by Kazakh people, heading for the western border crossing into Mongolia.
May Ling is waiting with us. We have already walked a few kilometres together, along the dusty road, before we managed to flag down a passing car – a rarity out here. She knows a handful of English words and we a pinch of Mandarin, so there is some understanding between us. May Ling is patient and seems committed to helping us, but she is understandably eager to get into town. We have established that she’s come out here for work, but that there is no hotel in town. Anyway, next town is the border town, 30km further down the road, we’d rather sleep there so we can cross in the morning. The wind is blowing so strongly that we stand sideways, angled against it. The sight of a car on the distant rise brings us hope – maybe this one? But so far we have only been disappointed at the sight of indicators flashing towards town. Reaching the border by tonight is beginning to look unlikely… And that wind is feeling cold. Continue Reading →
Our second month in Indonesia was completely different. We left behind the isolated communities living slow-paced lives on the beaches and in the mountains of the distant east, barely touched by the global world and its brutal economies (if you missed that part of our travel, click here). Now we were getting to the core, to the heart of the country alike the Roman Empire bonding vast lands and most diverse cultures – and I imagine going from borderlands on the shores of Black Sea to Rome in the year 100 A.D. would look similar. We got close to the place most Indonesians from the East will never afford to travel to, but if they have electricity they often see it on the TV full of whitened faces and straightened hair – Java.
But let’s start from the beginning.
Keeping a blog while travelling is extremely hard. Even harder if your travel is as fast and full of experiences as ours was in Indonesia (we’ve spend the whole April and May there). We found ourselves still posting articles from Timor-Leste when we were already in Singapore.
While articles about particular happenings and organisations are in making (and some of them will be for months), we’ve decided to write a kind of ‘been there done that’ article for the sake of showing you what kind of stuff we’ve been engaging with (and rockin’ it!), as well as documenting dropthetension’s activities.
Hopefully this will show you where we are now with our project, how amazing it’s going and what a learning experience it is for us (to be utilized in the future!) Let’s begin!
During our visit we met a bunch of passionate people with exciting ideas to help shape the future of Timor-Leste. While you’ll find plenty of foreign aid workers in this new country, surely the Timor of tomorrow is best shaped by those who know it best: Timorese people. Here is a brief look at just some of the cool projects we discovered:
– Arte Moris: walking in off the dusty streets of Dili into the Arte Moris gardens is like arriving in the Berlin underground art scene… In a tropical jungle?! Amazing sculptures made almost entirely of collected rubbish. Litter is everywhere in Timor-Leste, with waterways often looking more like rubbish tips. There is no waste system in place and at best it’ll be burned (which of course isn’t good at all!). So to find people using this rubbish as the raw material to make something beautiful is really exciting. The team of artists who live and work at Atre Moris (the vibe is totally ‘artists squat’), run workshops to encourage local youth in creative expression, interwoven with themes surrounding the environment. Inside we caught an exhibition of two local artists, giving insight into daily life in Dili. Other works combine traditional handicrafts into modern works.